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19thC Antique Topaz Gem of Medieval German Saxon Kings Fire Travel Talisman Ring #6330.2

Cost: $ 69.99


Nineteenth Century Antique Genuine Natural Russian Handcrafted, Hand Cut and Faceted Blue Topaz Semi-Precious Gemstone. Contemporary High Quality Sterling Silver Ring (Size 7 – Resizing Available).

ORIGIN: The Ural Mountains, Siberian Russia. 19th Century. Chain and pendant setting contemporary.

SIZE: Diameter: 5mm. Depth: 2mm. All measurements approximate.

WEIGHT: 0.76 carat.

NOTE:  Resizing is available.  14kt solid gold setting is also available. If you would prefer a different setting style, odds are we have many different setting styles available which would fit this stone(s) which could be substituted for no or very little additional cost.  Write us for pictures and prices. 

NOTE:  If you would like only the gemstone, and not the setting, we can dismount the gemstone and offer you the gemstone without the setting.  Just let us know, and yes, we’ll discount the price by the cost of the setting.

DETAIL:
In the latter Middle Ages small wine-yellow Saxonian Topaz was mined at Schneckenstein in the Erzgebirge Mountains in Saxony Germany, and several rulers wore these specimens in jewelry. The topaz was regarded as a talisman for travelers, protecting them from homesickness and danger. It was also believed to be an effective talisman against accident and fire. It was also believed that figure of a falcon engraved upon a topaz talisman would bring the wearer goodwill and kindness of the gods. Topaz had medicinal applications in the Medieval world as well. It was believed that the application of topaz could actually absorb the heat of a fever. It was also used to ease the inflammations, discomfort and pain associated with arthritis.

Celebrating this historical legacy here is a gorgeous, sparkling pastel blue topaz semi-precious gemstone from the Ural Mountains of Russia. The gemstone was hand crafted and faceted by a 19th century Russian artisan, part of an heritage renown for the production of the elaborate gemstones and jewelry of the Czars of Medieval, Renaissance, and Victorian Russia. This striking semi-precious gemstone is of very high quality. The faceted cut is a coarse precursor to what eventually became known in the industry as a “brilliant cut” round, the contemporary finish generally given to round diamonds. The gemstone is alive with sparkling flashes and to the eye seem without blemish. In fact as you can see for yourself, even in the accompanying photo enlargements it is impossible to discern any blemishes within the gemstone. Certainly to the eye it is nothing less than perfect, it is a truly beautiful little blue gemstone.

As might be expected under magnification the gemstone shows the unmistakable, hallmark characteristics of having been hand crafted. The coarseness of the 19th century finish is considered appealing to most gemstone aficionados, and is not considered a detriment, or detract from the value of such gemstone. These characteristics are not only expected of hand-finished gemstones, many believe that such antique hand-crafted gemstones possess much greater character and appeal than today's mass-produced, laser-cut gemstones. Unlike today’s computer controlled machine produced gemstones that approach flawlessness in a perfect finish, the cut and finish of handcrafted gemstones like this is the legacy of an artisan who lived two centuries ago. 

The setting is of contemporary origin.  It is a high quality setting manufactured by one of the USA’s leading semi-custom mount producers.  It is constructed of solid sterling silver.  We do have the ability to have the ring sent out for resizing if requested.  Additionally, if preferred, the mounting is also available in 14kt solid gold.

Handcrafted though it may be the gemstone possesses great luster and sparkle, and to the eye is completely transparent, but one cannot say with absolute certainty that it is absolutely flawless. True, any blemishes it possesses are not visible to the naked eye, and even when magnified as in the accompanying photo enlargements there are no discernible flaws. However we hesitate to use the word “flawless”, as sooner or later blemishes will show up at higher levels of magnification with almost every antique gemstone of natural origin. An absolutely flawless gemstone is very rare in nature (and usually turns out to be synthetic). However to use trade jargon the gemstones can be characterized as "eye clean". 

To the eye it is indeed flawless, nonetheless close examination with a jeweler’s loupe will reveal occasional slight irregularities in the faceting and finish. Of course these characteristics are to be expected of antique, hand-finished gemstones. It is precisely for these reasons antique, natural gemstones must be appreciated as antiques first, gemstones second. The relatively superlative quality of contemporary gemstones routinely mined from deep beneath the earth's surface today were simply not accessible two centuries ago, or at least, only rarely so. However for most, the unique nature and character of these antique gemstones more than makes up for any minute blemishes found within the gemstones, as well as the cutting irregularities common to handcrafted gemstones, all of which are by and large (if at all) are only visible under magnification. 

HISTORY OF TOPAZ: It is believed that topaz was known during the early Bronze Age, as the mining of topaz is strongly associated with tin mining, a mineral needed to create bronze (an alloy of copper and tin). Archaeologists are certain that the people in the Middle-Eastern Bronze Age would have known about this gemstone. However the first historical descriptions of topaz were from the classical Mediterranean. The origin of topaz in the ancient Mediterranean was a small island in the Red Sea known as “Topazion”, a Greek term meaning “to guess”. In Arabic the same term means “"the subject of the search". This reflects the fact that the island was typically obscured by fog, making it difficult for early navigators to find. Typically yellow, topaz in the ancient world was held as a talisman to protect against evil and was used to treat many different physical ailments including asthma.

The Greeks and Romans greatly valued topaz as a gemstone, even believing that the gemstone would improve the wearer’s eyesight. Ancient Romans also credited topaz with preventing sickness of the chest and it was also used to treat abdominal pain. The ancient Greeks believed topaz would give great strength to whomsoever wore the stone, and was also worn as an amulet to ward off enchantment (“spells” or “curses”). The ancient Greeks also believed that wearing topaz would dispel sadness and strengthen the wearer’s intellect. There are also frequent references from ancient Greek sources which claim that wearing topaz rendered the wearer invisible.

In Rome and the Early Medieval world, topaz was associated with Apollo and/or Jupiter, as Topaz was associated with the sun, and both Jupiter and Apollo were solar deities. Both Julius Caesar and his heir Octavian Augustus held Apollo in special reverence. Augustus credited Apollo with his victory over Marc Antony, and erected a magnificent temple to Apollo at Actium overlooking the site of the famous naval battle, as well as an even grander temple on the Palatine in Rome. The gemstone was also described by the first century Roman historian and naturalist “Pliny the Elder”.

There are also many biblical references to "topaz". Topaz was one of the twelve stones selected by Aaron for his priestly breastplate, representing the twelve tribes of ancient Israel. He placed it there as the second stone in the first row of stones. Topaz is also found as one of the stones in the book of Revelations as one of the stones of the apocalypse (one of the gemstones which form the foundations of the twelve gates to the Holy City of the New Jerusalem). To ancient Christians topaz was regarded as a symbol of uprightness and virtue. In ancient Egypt the golden glow of yellow topaz symbolized "Ra", their sun god. This made topaz a very powerful amulet that protected the faithful against harm.

Further to the east, in ancient India, topaz was regarded as a sacred gemstone. Ancient Hindus believe that worn as a pendant above the heart topaz assured long life, beauty and intelligence (and would also alleviate thirst). Centuries later in Medieval Europe small wine-yellow Saxonian Topaz were mined at Schneckenstein in the Erzgebirge Mountains in Saxony, Germany, and several rulers wore these specimens in jewelry. The Germans believed that the yellow topaz prevented bad dreams, calmed passions, ensured faithfulness and, when taken in wine, cured asthma and insomnia. It was also believed that the figure of a falcon engraved upon a topaz talisman would bring the wearer the goodwill and kindness of the gods.

During the Middle Ages wearing topaz in a ring was believed to lengthen one’s life and forestall death (or alternatively to prevent sudden death). Worn around the neck, topaz was also thought to cure madness. If also mounted in gold and worn around the neck, it was believed to dispel enchantments and calm nocturnal fears. Worn as a protective talisman topaz was said to instantly lose its color to indicate that poisoned food or drink was present, thus protecting its owner. It was also believed to be an effective talisman against accidents. Topaz was also regarded as a talisman for travelers, protecting them from homesickness and danger.

In the Medieval World it was also believed that wearing a topaz talisman conferred to the wearer special powers over animals. Topaz was also used by shamans and seers who believed that topaz and encouraged clairvoyance and psychic skills, and enabled the wearer to perceive the intentions and motives of the people around them. It was also believed to make men handsome and intelligent and sterile women fertile and happy. There were as well medicinal uses for topaz in the Middle Ages. Topaz was believed to be able to actually absorb the heat of a fever. Topaz was also believed to ease the inflammations, discomfort and pain associated with arthritis. However the curative powers of topaz were believed to weaken and strengthen in response to changing phases of the moon.

Topaz is found in yellow, orange, green, blue, red, and white (colorless) hues. The highest grade topaz comes from Sri Lanka and India, the Ural Mountains in Russia, Brazil, and in the U.S.; from Maine, Colorado, California, and Utah. The most popular color for topaz gemstones is light blue, and the most costly is a rich orange-yellow, resembling the color of sherry wine, known as “imperial” topaz (sometimes referred to as “precious topaz”). Sherry-colored topaz is called “imperial” topaz in honor of the Russian Tsar who owned the mining fields of topaz in the Urals Mountain range (in Siberia, Russia), and the best quality topaz were reserved for the emperor and his family. Topaz is one of the hardest minerals in nature, and for that reason, highly valued as a gemstone.

Throughout the history of the ancient world, gemstones were believed capable of curing illness and providing protection. Found in Egypt dated 1500 B. C., the "Papyrus Ebers" offered one of most complete therapeutic manuscripts containing prescriptions using gemstones and minerals. Gemstones were not only valued for their medicinal and protective properties, but also for educational and spiritual enhancement. In the ancient world topaz was thought to heal both physical and mental disorders, and to prevent death. Topaz was also believed to assure beauty, fidelity and long life.

Topaz was also used to treat medical ailments. Topaz powdered and drunk in wine, cured asthma, tuberculosis, insomnia, burns and hemorrhages. The twelfth century German Prophetess/Visionary Mystic/Catholic Saint "Hildegard" had an unusual prescription for improving failing vision which involved soaking a topaz in wine, then rubbing the eyes with the gemstone and drinking the wine. Topaz was also regarded effective against bleeding and heart disease, as well as a cure for rheumatism, gout, and soreness in the joints. Wearing topaz was believed to aid the spinal column and help steady and regulate the action of the heart. It was used to treat bleeding and believed helpful to promote health in the glandular systems of the body. It was also believed to improve eyesight. 

Topaz was also used in treating infections, deafness, goiter, hemorrhage, circulatory problems, digestive problems, combating anorexia, restoring the sense of taste, stimulating metabolism and more. I was regarded as especially effective in treating hemorrhoids if it were worn on the left arm. Last (but certainly not least), men were believed to become more virile when wearing topaz! On the metaphysical plane, the ancient world regarded topaz as a stone of true love and capable of attracting success in all endeavors. Topaz was believed to promote creativity and individuality, and was thought excellent for promoting concentration. It was also attributed with the power to replace negativity with love and joy, stimulating a brighter outlook on life.

Topaz was also known as the “lover of gold,” as it is used to bring wealth and money. It is traditionally known as a stone of love and good fortune, bringing successful attainment of goals. It was said to be especially effective when set in gold and bound to the left arm. When worn as an amulet, topaz drove away sadness, added intelligence and gave courage. On the emotional plane, topaz was believed to be useful for treating depression. It was believed to help people alleviate their fears, and was used to treat psychosomatic illnesses. It was regarded as useful in balancing emotions, helping those who go from one extreme to another. 

Topaz was also highly recommended for healing a person who was suffering from shock or trauma, and was regarded as a panacea for those whose lives contained abnormal amounts of stress or tension. In particular, blue topaz was believed extremely helpful to those who were angry. Blue topaz was regarded as possessing the power of the moon and elemental water. Blue topaz was believed effective in helping the wearer to release their anger, and to bring one’s emotional pain to the surface. Modern practitioners believe that topaz assists in general tissue regeneration and in the treatment of hemorrhages. It also believed to stimulate poor appetite and aid in the treatment of blood disorders. In India topaz is still used to treat tonsillitis, whooping cough, and mumps.
 

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